Works

Large Ensemble & Orchestra

Piano Concerto
(2024)

Solo piano and large orchestra
Duration: 25′
Commissioned by BBC Radio 3 and the Royal Philharmonic Society, with support from the John Ellerman Foundation.

Marches I
(2021)

Large orchestra
Duration: 7′
Commissioned by Edinburgh Youth Orchestra with funds generously donated by Amati Global Investors.

Sleep-Chasings
(2020)

Large orchestra
Duration: 3’20”
Written for the London Symphony Orchestra through the LSO Discovery Panufnik Composers Scheme, generously supported by Lady Hamlyn and the Helen Hamlyn Trust.

Table Talk
(2018)

Symphonic brass, timpani and percussion
Duration: 9′
Commissioned by the Tanglewood Music Center, generously supported by the Merwin Geffen, M.D. and Norman Solomon, M.D. New Commissions Fund.

Opera, Music Theatre & Melodrama

Reginald: The Musings of an Edwardian Gentleman
(2020)

Narrator, 3 vocalists (SSA), 2 vlns, db, timp, pno
Duration: 15′
Text: Hector Hugh Munro (‘Saki’)
Commissioned by the Presteigne Festival with funding from the Colwinston Charitable Trust.

Pay the Piper
(2020)

Soloists, chorus & ensemble
Duration: 15′
Commissioned by Glyndebourne.

Four Fragments from Moby Dick
(2017)

Narrator & ensemble (afl, bcl, perc, pno, vln, vcl)
Duration: 7′
Text: Herman Melville

Chamber

Bewegt
(2022)

Piano and violin
Duration: 7′
Commissioned by the Presteigne Festival.

Fanfare for Glyndebourne
(2022)

Flugelhorn, horn, tuba & percussion
Duration: 1′
Commissioned by Glyndebourne.

Fanfare for the Norfolk & Norwich Festival
(2022)

3 trumpets
Duration: 1′
Commissioned by the Norfolk & Norwich Festival.

Patdeep Studies
(2021)

Sitar and chamber ensemble (2 vlns, vla, vcl, db, pno, perc)
Duration: 15′
Commissioned by Psappha with the support of The Fenton Arts Trust, The Fidelio Charitable Trust, The Hinrichsen Foundation and through Psappha’s Composition Bank.

Three études for piano
and flower pots
(2019)

Piano and flower pots
Duration: 5′
Written for the Psappha Ensemble’s 2018-19 Composing For scheme.

Four Movements for Mallet Quartet
(2018)

2 marimbas, 2 vibraphones
Duration: 10′

The Opium-Eaters
(2016)

String quartet
Duration: 17′
Performance notes: staging in the round.

Ravens’ Cage
(2016)

Piano and oboe
Duration: 7′
Commissioned by the Presteigne Festival.

Hatters
(2015)

Percussion quartet
Duration: 10′

Singers
(2014)

Piano trio
Duration: 15′

Choral & Vocal

The Call of Gideon
(2024)

Mixed voices (SATB)
Duration: 7′
Text: Robert Willis
Commissioned by the Genesis Foundation.

The Dead
(2024)

Mixed voices (SSSAATTBB)
Duration: 5′
Text: Don Paterson
Commissioned by the ORA Singers

Plaisir n’ai plus
(2023)

Six voices (AATTBB)
Duration: 4’30”
Text: Clément Marot
Commissioned by The Gesualdo Six.

Vigil I
(2020)

Three SATB vocal quartets
Duration: 5′
Text: Rainer Maria Rilke; Jessie Lemont
Commissioned by Dunedin Consort.

Five Letters from Aubrey Beardsley
(2019)

Countertenor and prepared piano
Duration: 10′

From Joseph Roth’s Radetzkymarsch
(2019)

Baritone and piano
Duration: 10′
Text: Joseph Roth
Commissioned by Glyndebourne.

Car auprès de toi
(2019)

Upper voices in 6 parts
Duration: 4′
Commissioned by Aurora Nova Choir.

Solo

Clarke Variations
(2020)

Solo piano
Duration: 15′
Commissioned by Chelsea Music Festival.

Devil’s Minion
(2018)

Solo violin
Duration: 5′
Commissioned by the Lichfield Music Festival.